An Iranian filmmaker and his son travel to Haifa, Israel, to explore the Bahá’í religion. Shot in a documentary-inflected, sometimes surreal style through the cameras of both father and son, the film observes the Bahá’í gardens and the international volunteers who come to tend them, emphasizing how service, landscape, and daily encounters can cultivate a language of peace. Along the way, a sustained disagreement opens between the two: the father wonders whether a more peace-oriented religious ethos might have altered Iran’s political trajectory, while the son insists that religions ultimately tend toward violence and destruction. Their conflict deepens to the point that they separate and continue the journey on different paths.