This article examines the development of Poetic Cinema as a unique cinematic language, expressing concepts and emotions through lyrical and artistic forms. Originating in post-World War II European cinema, Poetic Film emphasizes elements like mise-en-scène, lighting, and dialogue, evolving from early “Film Poem” concepts to contemporary digital expressions such as video poetry.

Divided into three phases—formation, conceptual maturity, and genre diversity—this article explores poetic cinema’s influence on Iranian film, particularly from the 1950s onward. It highlights how Iranian cinema integrates literary and cinematic artistry through poetic narratives, dialogues, and visual styles. Prominent filmmakers like Shaheed-Salles, Hatami, Mehrjui, Kimiai, Beyzaei, and Kiarostami exemplify this tradition, blending poetic language with cinematic storytelling to convey cultural and philosophical depth.