This article explores the enigmatic journey of Rūḥʹangīz Sāmīʹnijād’s stardom, focusing on her role in the pioneering Iranian film Dokhtar-e-Lor (1933). Despite her meteoric rise as the first Iranian actress, Saminejad’s trajectory was marred by residual Islamic conventions leading to her socio-professional withdrawal following her initial success. Despite the supportive backdrop of Reza Shah Pahlavi’s modernization era, Saminejad’s dismissal of traditional roles clashed with the social conventions of her time, leading to her eventual traumatic retreat. By dissecting the film’s narrative, reception, and societal impact, the study uncovers the complexities of Saminejad’s stardom, reflecting on the broader challenges faced by women in Iranian cinema. Her journey serves as a symbol of success and adversity, shedding light on the ephemeral nature of early cinematic careers.