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Kaveh Askari
Kaveh Askari is an associate professor of film studies at Michigan State University. His research and teaching focus on cinema and media history in a global context. Special areas of interest include art cinema, media circulation, film and other arts, and cinemas of the Middle East. He is the author of Making Movies into Art: Picture Craft from the Magic Lantern to Early Hollywood (BFI, 2014), editor of a special issue of Early Popular Visual Culture on the Middle East and North Africa (2008), and coeditor of Performing New Media, 1890-1915 (John Libbey, 2014). He is currently working on a book titled “Relaying Cinema in Midcentury Iran: Prestige Cinema and the Archive of Hollywood.” Askari has served on the executive committee for Domitor, the International Society of Early Cinema Studies; on the jury for the Aljazeera International Documentary Film Festival; as cochair of the host committee for the Seattle Society for Cinema and Media Studies conference; and as cochair of the SCMS Middle East Caucus. In 2017, Askari collaborated on a film program for Il Cinema Ritrovato, Tehran Noir: The Films of Samuel Khachikian, which showcased unseen films from the National Film Archive of Iran’s collection of genre films made before the 1979 revolution.
Contributions
View Fullscreen Figure 1: Poster for Tomorrow is Bright (Fardā Rushan Ast), directed by Sardar Sager, 1960. Sardar Sager’s filmmaking…
View Fullscreen Figure 1: Poster of the film 17 Days to Execution (Hifdah Rūz bi I‛dām), Hūshang Kāvūsī, 1956 A…
View Fullscreen To research silent cinema in Iran is to reconsider what aspects of cinema history, broadly conceived, are worth…
